I'm surprised I never saw this one mentioned. The Club Titiboo theme is actually Bill Dogget's Honkey Tonk Part 1, from 1956.
Here's the original:
Club Titiboo:
It also shows up in Animal Crossing, as K.K. Blues:
(As a side note, this is the second classic song that both Animal Crossing and Mother has used. The first was Johnny B Good which became the Hippy battle theme and K.K. Rockin')
Here's some random trivia, that may not be so random. David Lynch used the song Honkey Tonk Part 1 for his movie, Blue Velvet. Actually, that's how I first found this song. (It was already a weird movie but realizing I heard a song from Mother 3 halfway through just made it weirder.)
I may be grasping at straws, but I think Mother 3's 'Beach Combing', used appropriate for the beach area, is similar to the song titled 'Dance of Dream Man'
Lynch's films and the Mother series share the same basic concept. Basically, an idealized suburban American town, has deep dark secrets, strange occurrences, and disturbing examples human nature hidden underneath the surface. For example, Laura Palmer from the TV series Twin Peaks seemed like a normal highschool sweetheart. She was into heavy drugs, BDSM prostitution, because she was haunted by a demon. In Earthbound/Mother 2 it's a little more light hearted, but still, early on in the game you are attacked by a bunch of policemen. You have to rescue Paula from a bunch of cult members. You befriend a possible mob boss, Everest, who ends up jumping off of a building. And there's the whole Giygas thing.
Another strange, and probably coincidental, similarity is that there a strange giant character in Mother 3 and Twin Peaks. In Mother 3 we have Leder. He is mute giant, who rings the bell tower outside of Tazmily village. In Chapter 8 he is kidnapped, and the main characters discover the history of humanity before the game took place.
In Twin Peaks a giant appears to Cooper to give him many subtle clues. He's some sort of spirit that belongs another dimension, the Black and White Lodge. At one point, The Giant appears to Cooper a stage with red curtains. The Black and White lodge is full of red curtains. One of Lynch's trademarks are surreal scenes that take place in these dimensions with red drapes. For some reason, during Leder's speech in Mother 3, the room is red with red drapes on each side. The rest of the hotel where this takes place has dull, mute, neutral colours.
Giant appears to Cooper:
Leder in the red room:
The Black and White Lodge:
Red curtains are sort of common though, and the music connections aren't enough for me to be as certain as the Evangelion references in the previous post. It's worth posting at least.
Let's not forget the whole Tanetane island. I didn't notice anything visually similar. It's just Tanetane island is a total mindfuck on the level of a Lynch movie.
Showing posts with label images. Show all posts
Showing posts with label images. Show all posts
Sunday, 15 January 2012
Mother 3 and Evangelion connections and similarities.
I never thought I'd be able to connect Neon Genesis Evangelion, and Mother 3 directly. But I stumbled across this music similarity.
One of the most iconic songs from the series is Komm, Suesser, Tod. It plays over some pretty surrealistic end of the world phenomenon during the End of Evangelion movie.
Pay attention to the beginning, especially from 0:26 to 0:50. It's the theme song for the Magypsies in Mother 3!
Listen to the one without sax if you can't hear it.
I doubt this was a coincidence!
If you are unaware, Neon Genesis Evangelion is a pretty influential anime from 1995. Basically Shinji Ikari has to pilot a purple cyborg giant named an Eva, to defend Tokyo3 from the Angels, mysterious beings that seek to penetrate Nerv's headquarters and bring about the end of the world. It was a 26 Episode TV series and had a follow up movie. It was pretty surreal.
It got me thinking about the possible similarities and connections Evangelion has with Mother 3. I think most of these are probably coincidences, unlike the songs I've posted which I think was intentional. (Potential spoilers after this!)
Mother 3 and Evangelion both have strong themes of Motherhood, and more importantly losing your Mother. The only people who can pilot the Eva Units are children who have lost their mothers. The 3 Eva pilots don't have a mother. The three main characters in Mother 3 are also motherless. Evangelion relies on strong Freudian symbolism. The Evas are the pilots mothers. Their mother's souls have been extracted and used as the evas soul. The pilots sit in a red orb, which is a symbolic womb. At the end of Mother 3, Porky enters a symbolic womb. The Absolutely Safe Capsule. He even rocks back and forth like a baby, and apparently seems content.
Absolute Safe Capsule
Both the End of Evangelion and end of Mother 3 had similar concepts. Once again, another spoiler warning.) Anyways, in EoE, project instrumentality was completed. It's pretty surreal and up for interpretation, but basically everybody apparently died, as the human race evolved into its next step. Shinji rejects this, because he finds his sense of identity. Anyone who wants to return has the ability to do so. In Mother 3, after the last needle is pulled, the Dragon destroys everything and resets earth to its natural balance. But, if you walk around you can talk to characters who have survived somehow. There's a very small flickr of hope during each of the endings.
Then there's the Diamond enemies from Mother 2 or Earthbound. It would appear as some other creature when in battle, however. Mother 2 was created around the same time when Evangelion first aired, so I think this was a coincidence. However, Mother 3 which was released in 2006 featured the diamond's returning as an actual enemy. It looks like a certain Angel from Eva. Still may just be a coincidence.
Minerali
Ramiel
Oddly enough, there is an enemy located near the end of the game with the previously mentioned diamond shaped enemy. It's only made out of light and energy. There was an Angel in Eva who appeared in the same fashion. It is strange that they both appear together. I may just be grasping at straws.
Fenomeno
Arael
I also want to say the barrier trio is an Evangelion reference, but, the only similarities is that they are possibly organic/biomechanical beings that are purple and in a group of three. Whatever, they're spectacular and deserve a mention anyways.
One of the most iconic songs from the series is Komm, Suesser, Tod. It plays over some pretty surrealistic end of the world phenomenon during the End of Evangelion movie.
Pay attention to the beginning, especially from 0:26 to 0:50. It's the theme song for the Magypsies in Mother 3!
Listen to the one without sax if you can't hear it.
I doubt this was a coincidence!
If you are unaware, Neon Genesis Evangelion is a pretty influential anime from 1995. Basically Shinji Ikari has to pilot a purple cyborg giant named an Eva, to defend Tokyo3 from the Angels, mysterious beings that seek to penetrate Nerv's headquarters and bring about the end of the world. It was a 26 Episode TV series and had a follow up movie. It was pretty surreal.
It got me thinking about the possible similarities and connections Evangelion has with Mother 3. I think most of these are probably coincidences, unlike the songs I've posted which I think was intentional. (Potential spoilers after this!)
Mother 3 and Evangelion both have strong themes of Motherhood, and more importantly losing your Mother. The only people who can pilot the Eva Units are children who have lost their mothers. The 3 Eva pilots don't have a mother. The three main characters in Mother 3 are also motherless. Evangelion relies on strong Freudian symbolism. The Evas are the pilots mothers. Their mother's souls have been extracted and used as the evas soul. The pilots sit in a red orb, which is a symbolic womb. At the end of Mother 3, Porky enters a symbolic womb. The Absolutely Safe Capsule. He even rocks back and forth like a baby, and apparently seems content.
Absolute Safe Capsule
Both the End of Evangelion and end of Mother 3 had similar concepts. Once again, another spoiler warning.) Anyways, in EoE, project instrumentality was completed. It's pretty surreal and up for interpretation, but basically everybody apparently died, as the human race evolved into its next step. Shinji rejects this, because he finds his sense of identity. Anyone who wants to return has the ability to do so. In Mother 3, after the last needle is pulled, the Dragon destroys everything and resets earth to its natural balance. But, if you walk around you can talk to characters who have survived somehow. There's a very small flickr of hope during each of the endings.
Then there's the Diamond enemies from Mother 2 or Earthbound. It would appear as some other creature when in battle, however. Mother 2 was created around the same time when Evangelion first aired, so I think this was a coincidence. However, Mother 3 which was released in 2006 featured the diamond's returning as an actual enemy. It looks like a certain Angel from Eva. Still may just be a coincidence.
Minerali
Ramiel
Oddly enough, there is an enemy located near the end of the game with the previously mentioned diamond shaped enemy. It's only made out of light and energy. There was an Angel in Eva who appeared in the same fashion. It is strange that they both appear together. I may just be grasping at straws.
Fenomeno
Arael
I also want to say the barrier trio is an Evangelion reference, but, the only similarities is that they are possibly organic/biomechanical beings that are purple and in a group of three. Whatever, they're spectacular and deserve a mention anyways.
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